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https://hdl.handle.net/10316/112022| Title: | QAC: Quantum-computing Aided Composition | Authors: | Hamido, Omar Costa | Issue Date: | 2022 | Publisher: | Springer Nature | Serial title, monograph or event: | Quantum Computer Music: Foundations, Methods and Advanced Concepts | Abstract: | In this chapter I will discuss the role of quantum computing in computer music and how it can be integrated to better serve the creative artists. I will start by considering different approaches in current computer music and quantum computing tools, as well as reviewing some previous attempts to integrate them. Then, I will reflect on the meaning of this integration and present what I coined as QAC (Quantum-computing Aided Composition) as well as an early attempt at realizing it. This chapter will also introduce The QAC Toolkit Max package, analyze its performance, and explore some examples of what it can offer to realtime creative practice. Lastly, I will present a real case scenario of QAC in the creative work Disklavier Prelude #3. | Description: | The URI http://arxiv.org/licenses/nonexclusive-distrib/1.0/ is used to record the fact that the submitter granted the following license to arXiv.org on submission of an article: I grant arXiv.org a perpetual, non-exclusive license to distribute this article. I certify that I have the right to grant this license. I understand that submissions cannot be completely removed once accepted. I understand that arXiv.org reserves the right to reclassify or reject any submission. | URI: | https://hdl.handle.net/10316/112022 | ISBN: | 978-3-031-13908-6 | DOI: | 10.48550/arXiv.2202.04215 | Rights: | closedAccess |
| Appears in Collections: | I&D CEIS20 - Livros e Capítulos de Livros |
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| File | Description | Size | Format | Login |
|---|---|---|---|---|
| 2202.04215.pdf | 3.76 MB | Adobe PDF | Request a copy |
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