Please use this identifier to cite or link to this item:
https://hdl.handle.net/10316/113696
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Trocado, Nuno | - |
dc.date.accessioned | 2024-02-27T11:54:55Z | - |
dc.date.available | 2024-02-27T11:54:55Z | - |
dc.date.issued | 2023 | - |
dc.identifier.uri | https://hdl.handle.net/10316/113696 | - |
dc.description | xCoAx 2023 - 11th Conference on Computation, Communication, Aesthetics & X | pt |
dc.description.abstract | Analogy is a critical cognitive process, at the core of the multiple ways in which we think in and through music. With structure-mapping theory as a point of departure, I describe how a computational implementation of its theoretical tenets may frame an approach to musical analogy which, in a cross-domain or music-to-music generative setup, would amount to a novel variation of concatenative synthesis, but driven preferably by higher-order relational structures instead of by the mere similarity of feature vectors. | pt |
dc.language.iso | por | pt |
dc.rights | openAccess | pt |
dc.subject | Analogy | pt |
dc.subject | Music | pt |
dc.subject | Synthesis | pt |
dc.subject | Computational creativity | pt |
dc.title | A Cocreative Computational Approach to Musical Analogy | pt |
dc.type | article | pt |
degois.publication.location | Weimar | pt |
degois.publication.title | xCoAx 2023 - 11th Conference on Computation, Communication, Aesthetics & X | pt |
dc.peerreviewed | yes | pt |
dc.date.embargo | 2023-01-01 | * |
uc.date.periodoEmbargo | 0 | pt |
item.fulltext | Com Texto completo | - |
item.grantfulltext | open | - |
item.languageiso639-1 | pt | - |
item.cerifentitytype | Publications | - |
item.openairetype | article | - |
item.openairecristype | http://purl.org/coar/resource_type/c_18cf | - |
Appears in Collections: | I&D CEIS20 - Artigos e Resumos em Livros de Actas |
Files in This Item:
File | Description | Size | Format | |
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school of x.pdf | 290.26 kB | Adobe PDF | View/Open |
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